建盏的发展脉络及设计思考
The Development and Design Thinking of Jianzhan
林子照1
作者信息
- 1. 福建影照建盏陶瓷有限公司,南平,353000
- 折叠
摘要
在中国悠久的茶文化中,建盏以其朴实无华的质地、简练的线条和变幻的釉色彰显了陶瓷艺术的自然美态.起源于五代末年的建盏,经宋代达到艺术巅峰,其黑釉之美成为斗茶文化的理想载体,因黑白对比之鲜明与保温之优势备受推崇.然而,随着时代变迁,斗茶文化的衰落导致建盏失宠,直至近现代借由考古发掘与学术研究得以复苏.现代建盏设计强调传统与创新的结合,追求在保持原有自然纹样的同时,融入现代审美,平衡功能性与美观性,且深化建盏的文化内涵,使其不仅仅作为茶器,更作为中华文化的传播媒介,展现其在全球文化艺术交流中的独特价值.
Abstract
In China's long-standing tea culture,Jianzhan showcases the natural beauty of ceramic art with its simple and unadorned texture,concise lines,and ever-changing glaze colors.Originating from the late Five Dynasties period,Jianzhan reached its artistic peak during the Song Dynasty.Its black glaze beauty became an ideal carrier of tea culture,and it was highly praised for its distinct black and white contrast and thermal insulation advantages.However,with the changing times,the decline of tea culture led to Jianzhan losing favor,and it was not until modern times that it was revived through archaeological excavation and academic research.Modern Jianzhan design emphasizes the combination of tradition and innovation,pursuing the integration of modern aesthetics while maintaining the original natural pattern,balancing functionality and aesthetics,and deepening the cultural connotation of Jianzhan,making it not only a tea vessel,but also a medium for the dissemination of Chinese culture,showcasing its unique value in global cultural and artistic exchanges.
关键词
建盏/设计美学/茶文化/陶瓷艺术Key words
Jianzhan/Design aesthetics/Tea culture/Ceramic art引用本文复制引用
出版年
2024
NETL
NSTL
万方数据