抽象与实验——毕加索的陶瓷艺术探析
Abstraction and Experimentation—An Exploration of Picasso's Ceramic Art
熊丽华 1王雪岩2
作者信息
- 1. 中国艺术研究院,北京,100029
- 2. 景德镇陶瓷研究院,景德镇,333000
- 折叠
摘要
巴勃罗·毕加索(Pablo Picasso)晚年的陶瓷艺术创作和实验,不仅被视为跨界探索,也是对传统陶瓷的一次重大突破,更颠覆了世人对陶瓷艺术的认知,进而推动了陶瓷艺术成为现代艺术的创作媒介之一.本文从抽象性与实验性的视角,对毕加索晚年创作的陶瓷艺术作品进行个案研究,从梳理毕加索与陶瓷艺术的渊源开始,分析毕加索二十余年的陶瓷创作历程,并重点总结毕加索陶瓷艺术作品的抽象表现形式和实验性创作精神,挖掘其陶瓷艺术的审美内涵.
Abstract
Pablo Picasso's ceramic art creation and experimentation in his later years are not only seen as a cross-border exploration,but also a major breakthrough in traditional ceramics,which subverted people's understanding of ceramic art and promoted ceramic art as one of the creative media of modern art.This article conducts a case study on Picasso's ceramic art works created in his later years from the perspectives of abstraction and experimentation.Starting from sorting out the origin of Picasso and ceramic art,it analyzes Picasso's more than 20 years of ceramic creation process,and focuses on summarizing the abstract expression forms and experimental creative spirit of Picasso's ceramic art works,exploring the aesthetic connotation of his ceramic art.
关键词
毕加索/陶瓷艺术/实验性Key words
Picasso/Ceramic art/Experimental引用本文复制引用
出版年
2024
NETL
NSTL
维普
万方数据