摘要
"意境说"作为中国古典美学史的一个重要范畴,对中国山水画具有重要的影响,其追求的"虚实结合"的特质以及对造化自然本体和生命的追求,使得中国山水画在创作上十分注重对意境空间的营造.粉彩山水画受此影响,在题材、构图和技法上,都注重对画面意境空间的营造,以"远"来建构山水画的意境空间,使得粉彩山水画以有限的山水形象,表现了无限的画面意境.但是粉彩山水画作为一种陶瓷种类,有其自身独有的艺术语言和材料规定性,因此,粉彩山水画在追求画面意境的同时,也要考虑自身的艺术特质,只有这样,才可以更好地去建构粉彩山水的意境空间.
Abstract
As an important category in the history of Chinese classical aesthetics,"artistic conception theory"has an important influence on Chinese landscape painting.Its pursuit of"combination of virtual and reality"and its pursuit of natural noumenon and life make Chinese landscape painting pay great attention to the creation of artistic conception space.Affected by this,pastel landscape painting pays attention to the creation of artistic conception space in theme,composition and technique,and constructs the artistic conception space of landscape painting with"far",which makes fencai landscape painting express infinite artistic conception with limited landscape image.However,as a kind of ceramic,pastel landscape painting has its own unique artistic language and material stipulation.Therefore,fencai landscape painting should also consider self-discipline while pursuing the artistic conception of the picture.
NETL
NSTL
维普
万方数据