陶瓷研究2024,Vol.39Issue(4) :155-157.

论宋画花鸟与当代釉上彩花鸟的与众不同

The Difference between Song painting Flowers and Birds and Contemporary Glaze Colored Flowers and Birds

裴霞敏
陶瓷研究2024,Vol.39Issue(4) :155-157.

论宋画花鸟与当代釉上彩花鸟的与众不同

The Difference between Song painting Flowers and Birds and Contemporary Glaze Colored Flowers and Birds

裴霞敏1
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作者信息

  • 1. 裴永中陶瓷艺术馆,景德镇,333000
  • 折叠

摘要

宋画花鸟以其深厚的文化底蕴和细腻的笔墨技法,成为中国古代绘画艺术的瑰宝.而当代釉上彩花鸟则以其独特的工艺魅力和创新的审美视角,展现出全新的艺术风貌.本文简要探讨两者在风格、技法、材料以及审美观念等方面的显著差异.

Abstract

The flower-and-bird paintings of the Song Dynasty,with their profound cultural heritage and delicate ink techniques,have become treasures of ancient Chinese painting art.In contrast,contemporary enamel-decorated flower-and-bird artworks showcase a brand-new artistic style through their unique craftsmanship charm and innovative aesthetic perspectives.This article briefly explores the significant differences between the two in terms of style,technique,materials,and aesthetic concepts.

关键词

宣纸宋画花鸟/陶瓷釉上彩花鸟/材料/技法/风格/审美观念

Key words

Song painting flowers and birds on Xuan paper/Ceramic glaze with birds and flowers/Material/Techniques/Style/Aesthetic concept

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出版年

2024
陶瓷研究
江西省陶瓷研究所 江西省陶瓷科技情报站

陶瓷研究

影响因子:0.031
ISSN:1000-9892
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