Under the influence of tea ceremony culture and Zen aesthetic thought,tea ceremony master Chirikyu,in pursuit of wabi-cha and the beauty of wabi-cha,jointly created the"happy"tea bowl with Wabi-Shishi Jiro.The essence of the Raku tea bowl fully understands the dead,as well as the eternal beauty.Compared with the cultural development background of Japanese raku,the fast sand burner in Pingding,Shanxi began to depend on each other from the Qin Dynasty,and then gradually developed.Based on the history and culture of China and Japan,this paper expounds the characteristics of Shanxi Pingding fast sand burner and Japanese raiyaki in the history of ceramic culture.It focuses on the analysis of its shape decoration,aesthetic characteristics,the natural view embodied by the objects and its innovation and influence on the contemporary era.It is concluded that the Pingding sand ware advocates the simple and practical beauty,the Japanese raku pursues the gentle and quiet spiritual beauty,and the similarities and differences between the two in the traditional craft,historical and cultural background,which has a certain positive effect on the dissemination or development of ceramic culture.
维普
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