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西汉大赋发展与皇权变迁

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文景时期赋的创作者主要集中在诸侯身边,显示了诸侯王本身的强大实力.武帝收回诸侯的权力之后将赋家招揽到了自己身边,要求他们用大赋彰显皇帝的权威,并以赋家作为安抚各地的代言人,以此达到通过文化渗透集中皇权的目的.宣帝时期大赋已成皇帝专用的颂赞式文章.成帝则因后宫乱序、频繁扰民而逐渐失去皇室在民间的威望,皇权开始衰落,故而此时大赋以讽谏为主题.西汉末王氏篡权,大赋也失去了政治功用,转而成为个人创作.可见西汉大赋的发展与当时皇权的变迁息息相关.
The Development of the Grand Fu in the Western Han Dynasty and the Changes of the Imperial Power
During the Emperor Wen and Jing's period of Western Han Dynasty,creators of Fu,or ode,were mostly concentrat-ed by the vassal kings to highlight their powerful strength.After Emperor Wudi of Han concentrated the feudal power into his hand,he recruited all the ode writers into his palace,demanding them to create grand Fu,or prolonged odes,to celebrate and demonstrate his imperial authority.He also used the Fu writers as his agent pacifying the regional vassals,to achieve his goal of enhancing the imperial power of the central government through literary penetration.Upon the reign of Emperor Xuandi of Han,grand odes had become a special style of tribute articles exclusively used for the emperors.However,Emperor Chengdi of Han,given the disorder of his harem and his disturbing policies,gradually lost his prestige,and his imperial power also began to de-cline.Grand odes written during this time were mostly themed on satirical admonitions.When Wang Mang usurped the throne to-ward the end of the Western Han,grand Fu,having lost its political function,became a personal creation.This reflects that the development of the grand Fu during the Western Han Dynasty was closely related to the changes of the imperial power at the time.

Western Han Dynastygrand Fuimperial powerJia YiSima XiangruYang Xiong

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广西师范大学文学院,广西桂林 541006

西汉 大赋 皇权 贾谊 司马相如 扬雄

2024

唐都学刊
西安文理学院

唐都学刊

CHSSCD
影响因子:0.094
ISSN:1001-0300
年,卷(期):2024.40(1)
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