先秦两汉情感言述所昭示的中国抒情传统
The China＇s Lyric Tradition Revealed in the Lyric Practice of the Pre-Qin and Han Dynasties
任树民1
作者信息
摘要
《诗经》和汉乐府，大都可以抽绎出“本事”。但是，“感于哀乐，缘事而发”，它们却重在“发”而非“事”，往往舍“事”重“发”。汉末以降，身属“士——官僚”政教体系的文人成为社会活动主体，他们接续舍“事”重“发”的艺术构思，把诗当作抒发个体情感的手段，“良用叙我情”，希望以个体遭遇折射时代，抒情诗体成了承载个体“我情”抽绎的首选，而对叙事诗体的把握，也是重“感事”而非“叙事”。偏于主观表现的先秦两汉情感言述实践奠定了中国抒情园地的基本格局。
Abstract
Although the stories can be found in the Book of Songs and Yuefu songs of the Han Dynasty,the poets based on sorrow and happiness in life usually abandon the story details and focus on expressing emotions. After the late Han Dynasty,the scholars became main roles in public activities. They continued from tradition and expressed emotions through the lyric poetry so as to reflect one specific period of time by particular one＇ experience. Therefore, the lyric poetry became the first choice of demonstrating ＂my own emotions＂. The more subjective feature in the lyric practice of the pre-Qin and Han Dynasties laid a foundation for China＇s Lyric Tradition.
关键词
先秦两汉/情感言述/舍“事”重“发”/中国抒情传统Key words
the pre-Qin and Han Dynasties/lyric practice/abandoning the story details and focu sing on expressing emotions/the China's lyric tradition引用本文复制引用
基金项目
吉林省教育厅"先秦两汉抒情文学的艺术特质研究"项目(2010157)
出版年
2012
NETL
NSTL
维普
万方数据