摘要
托尼·莫里森在小说《秀拉》中创造了一个主流社会主宰下的黑人社区——"底部",书写了"底部"的黑人勇士秀拉、伊娃、夏德拉克等挣脱白人压迫、建构主体身份的艰辛努力.在巴赫金狂欢化理论视域下,小说《秀拉》的三个狂欢化特征——狂欢化的"边沿"时空、狂欢化的怪诞人体和狂欢化的死亡形象,深化了作品的批判性主题,彰显了作家的创作意图.
Abstract
In the novel Sula,Toni Morrison creates a black community called"the Bottom"under the domination of mainstream society.She depicts the struggles of black warriors in"the Bottom",such as Sula,Eva,and Shadrack,as they strive to break free from white op-pression and construct their own identities.From the perspective of Bakhtin's theory of car-nivalesque,this novel exhibits three characteristics of carnivalesque writing:the carni-valesque"marginal"spatiotemporal dimension,the carnivalesque grotesque body,and the carnivalesque death imagery.These characteristics deepen the critical themes of the work and reveal the author's creative intentions.
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