首页|复活、幸存、存留:布朗肖的死亡叙述

复活、幸存、存留:布朗肖的死亡叙述

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死亡问题不仅影响着布朗肖的批评写作,还渗透了他的叙述作品.布朗肖的死亡叙述呈现了一种特殊的死亡经验,是西方文学中招魂传统的延续和变奏.在布朗肖的叙述中,死亡经验有两种基本形式:复活与幸存.但《黑暗托马》和《死亡判决》讲述的复活本质上都是死亡的复活而非生命的复活,并且幸存也在死亡的判定和死亡的停止之间表现出模糊性.到了《我死亡的瞬间》,这样的幸存还被德里达解读为一种存留的方式,它把死亡变成了"死".通过创造虚构的空间来回应死亡事件的幽灵维度,布朗肖的叙述承担了见证的使命.
Resurrection,Survivance and Demeure:Maurice Blanchot's Récit of Death
The question of death not only influences Maurice Blanchot's criticisms,but also penetrates his narrative works.Blanchot's récit of death presents a special experience of death,which continues and constitutes a variation of the tradition of nekuia in Western literature.In Blanchot's récits,the experience of death has two fundamental forms:resurrection and survivance.However,the essence of resurrection in Thomas l'obscur and L'Arrêt de mort is not resurrection of life,but resurrection of death.And the survivance also shows an ambiguity between the sentence of death and the cessation of death.In L'Instant de ma mort,this kind of survivance is interpreted by Derrida as a way of demeure,which turns the death into dying.By creating a fictional space for the spectral dimension of the death event,Blanchot's récit takes the responsibility of witness.

Maurice BlanchotdeathrécitJacques Derridafiction

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南京大学艺术学院,南京 210093

布朗肖 死亡 叙述 德里达 虚构

2024

外国文学
北京外国语大学

外国文学

CSTPCDCSSCICHSSCD北大核心
影响因子:0.384
ISSN:1002-5529
年,卷(期):2024.(1)