首页|"陌生"的乡土:论伍尔森的南方书写

"陌生"的乡土:论伍尔森的南方书写

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康斯坦丝·费尼莫尔·伍尔森很久以来一直被评论界视为乡土色彩作家而遭到贬抑.本文将伍尔森的创作置于美国内战后南方游记书写的语境中,展现其作品对于美国南方的"陌生"想象,认为评论界的性别政治遮蔽了伍尔森作品的真实内涵.她的南方书写并非传统意义上的乡土色彩文学,而是呼应了当时在文化上整合南方的美国国家话语,始终聚焦于美国的现代化与一体化进程.本文认为,伍尔森的创作将南方刻画成"角落"和"文物",将南方人刻画成"陌生之地的陌生人",在主题上体现出强烈的北方收编南方的文化政治意图,因而与诸多男性经典一样属于"国族主义"文学.
"Strange"Land:The South in Constance Fenimore Woolson's Literary Works
Constance Fenimore Woolson has long been devalued as a local colorist.Put in the context of postbellum regional politics,Woolson's literary creation would triumph contemporary harsh criticism usually rendered by unfriendly and jealous male critics,and reveal its true color as part of American nationalist discourse instead of the local color movement.Via travel writing,Woolson participates actively in the cultural political project of reconstructing the South as a primitive corner that awaits to be integrated into the industrial and thus modern United States,and,accordingly,presents the southern people as"strangers in a strange land."In this sense,Woolson's literary imagination lean more toward nationalism than regionalism.

Constance Fenimore Woolsonlocal colortravelling Southstrangeness

周铭

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中国人民大学外国语学院,北京 100872

伍尔森 乡土色彩 南方游记 陌生

2024

外国文学
北京外国语大学

外国文学

CSTPCDCSSCICHSSCD北大核心
影响因子:0.384
ISSN:1002-5529
年,卷(期):2024.(2)