首页|逃离土星:格吕克作品中的忧郁书写及转向

逃离土星:格吕克作品中的忧郁书写及转向

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2020年诺贝尔文学奖获得者露易丝·格吕克的作品向来以阴郁、沉静作为独特的风格戳记,其诗歌生产和运作的动力图式与"忧郁的土星"享有高度的通约性.在前期的写作过程中,她将个人经验中的抑郁症和厌食症作为诗歌的意义生成器,将对上帝的质疑和审视进行深度编码,忧郁似乎在格吕克的作品纹理和个性肌质中占有了绝对的统摄地位.然而在近期的作品中,格吕克放弃了之前对于忧郁的植入策略,反而更加强调日常生活所赋予和传达给人类的欢欣和快乐.格吕克作品中的土星气质逐渐湮没在积极意义的产生机制中,这不仅是格吕克写作风格的一大转折点,更是晚年的作者试图拯救自我于痛苦的渊薮中所做出的不懈努力.
The Flee from Saturn:The Melancholy Writing and Its Turn in Louise Glück's Works
Melancholy and stillness have always been the hallmarks of 2020 Nobel Prize laureate Louise Glück.The dynamics of her poetic production and functioning enjoy a high degree of commonality with that of the"melancholic Saturn."In the early stage of her career,she employed depression and anorexia from her personal experience as the meaning generator of her poems,and encoded her questioning and scrutinizing of God into poems.Melancholy seems to occupy an absolute dominant position in the texture of Glück's works as well as the texture of her personality.However,in recent works,Glück forsook her previous strategy of melancholy writing and instead placed more emphasis on the joy and happiness that daily life endows and conveys to humans.The Saturn temperament in Glück's works is gradually transformed into the mechanism of generating positive meanings,which is not only a major turning point of Glück's composition style,but also the unremitting attempt made by Glück in her later years to save herself from the emotional abyss.

GlückmelancholySaturnturn

郑春晓

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北京外国语大学英语学院,北京 100089

格吕克 忧郁 土星 转向

2024

外国文学
北京外国语大学

外国文学

CSTPCDCSSCICHSSCD北大核心
影响因子:0.384
ISSN:1002-5529
年,卷(期):2024.(3)