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哈尔姆斯文学创作的空间转向及其存在论内涵

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"文学与空间"的话题兴起于20世纪后半叶,在当下仍持续吸引着学者们越来越多的关注,而实际上,20世纪初的俄国先锋派文学和艺术创作者就已为文学空间转向奠定了一定的理论基础,并且付诸创作实践之中.丹尼尔·哈尔姆斯继承并延续了这一先锋派的"传统",从文本作为艺术空间的载体、文本作为空间本身、文本作为空间的产物三个方面,进一步发展了文学的空间转向,呈现出创作风格上从现代主义到后现代主义的转变,其背后蕴藏着深厚的存在论内涵,反映了文学文本与现实空间的本质关联.
The Spatial Turn of Daniil Kharm's Literary Creation and Its Ontological Connotation
The topic of"Literature and Space,"which emerged in the second half of the 20th century,continues to attract increasing scholarly attention.In fact,in the early 20th century,Russian avant-garde literary and artistic creators had already laid a theoretical foundation for the spatial turn in literature and put it into creative practice.Daniil Kharms inherited and continued this avant-garde tradition,further developing the spatial turn in literature from three aspects:treating text as the carrier of art space,as space itself,and as the product of space.This evolution reflects the transition of his creative style from modernism to postmodernism,underpinned by profound ontological connotations and essential relations between literary text and real space.

Daniil Kharmsspatial turntime and spacebeing

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四川外国语大学,重庆 400031

哈尔姆斯 空间转向 时空 存在

2024

外国文学
北京外国语大学

外国文学

CSTPCDCSSCICHSSCD北大核心
影响因子:0.384
ISSN:1002-5529
年,卷(期):2024.(4)