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峰终定律与悲剧审美心理

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峰终定律揭示了经验的世界与记忆的世界的不同:在经验之中人们实际感觉到的十分钟剧痛,自然少于同样的痛苦再外加十分钟逐渐减弱的痛苦,但在记忆的世界中,人们却觉得后者更好受,因为记忆首先聚焦于峰值和终值.悲剧摹仿的主要是记忆的世界,聚焦于一个具有整一性的行动,往往一开始就触动观众的心,然后痛苦节节攀升,在接近尾部的地方达到高潮,让峰值尽量后置,使峰终定律发挥到极致,容易获得观众和批评家的好评.人对痛苦的感知敏感度高,持续性强,所以能够在两个小时左右始终保持兴奋,关注力度可以逐步升级一直到高潮.与其他作品相比,悲剧审美的强度、长度和整一性都明显胜出,所以历来受到评论家的青睐.
Exploring the Classical Western Tragedy in Terms of the Peak-End Rule
The peak-end rule reveals the differences between the world of experience and the world of memory:in the world of experience,the pain that people actually sensed in ten minutes is naturally much less than the same amount of pain plus additional ten minutes of decreasing pain,but in the world of memory,people believe that the latter is more endurable,because memory concentrates on the peak and end evaluation.As an imitation of the world of memory,tragedy always focuses on a unified action and usually touches the audience's heart at the outset.Then,it gradually escalates the pain until it reaches the climax near the end of the play,but it tries to sustain the climax as long as possible in order to maximize the peak-end effect,thus easily securing the high praise from the audience and the critics as well.Given their high but sustainable sensitivity toward pain,people can easily remain in an excited state for approximately two hours and hype up their interest until the climax.As compared to other genres,tragedy may offer an aesthetic experience that is clearly much more superior in inten-sity,duration,and unity.Therefore,it has been favored by critics all along.

peak-end ruletragedyaesthetic psychology

何辉斌

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浙江大学外国语学院

峰终定律 悲剧 审美心理

中央高校基本科研业务费专项

506101*17222022206

2024

外国文学研究
华中师范大学

外国文学研究

CSTPCDCSSCICHSSCD北大核心
影响因子:0.399
ISSN:1003-7519
年,卷(期):2024.46(1)
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