首页|福瑟:写作就是倾听,作者另有其人——约恩·福瑟访谈录

福瑟:写作就是倾听,作者另有其人——约恩·福瑟访谈录

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约恩·福瑟在接受克里斯蒂娜·莫德雷亚努采访时,谈到了他对易卜生的复杂感情,并就戏剧创作、戏剧排演、戏剧风格等问题发表了自己的看法.福瑟表示,他十分钦佩易卜生,认为他是个颇具天才的"戏剧魔王";但他觉得易卜生的戏剧里没有爱,没有怜悯,因而对他是敬而不爱.对于戏剧创作,福瑟有他自己比较独特的一套理念.在他看来,写作就是倾听,是一种源自内心或某个他知之甚少的地方的神秘行为,名叫福瑟者只是听到早已被书写的东西并记录下来,作者则另有其人.福瑟认为,戏剧吸引他的是那些难得的、无法用言语表达的心灵感通的瞬间,而那些珍贵的瞬间,使戏剧超越国籍和语言,成为一种通过情感来理解世界的方式.此外,福瑟非常重视戏剧音乐,在他看来,音乐层面的精准和完美适配是其戏剧在多种标准下成功演出的关键.
Fosse:Writing is Listening,and the Writer is Someone Else
In an interview with Cristina Modreanu,Jon Fosse delves into his nuanced senti-ments regarding Henrik Ibsen while offering insights into various facets of dramatic compo-sition,theatrical rehearsal,and acting style.Fosse extols Ibsen as the demon of theater,yet contends that his oeuvre lacks a profound sense of love,eliciting from Fosse not fondness but rather a respectful admiration.Furthermore,Fosse delineates his distinctive approach to the craft of drama.For him,writing embodies an act of profound listening,an enigmatic process emanating from the depths of the psyche or realms unknown.Fosse elucidates that he,as the bearer of the name Fosse,merely serves as a conduit for the preexisting narratives,while the true author remains someone else.He posits that the allure of theatre lies in those elusive mo-ments of soulful resonance that defy linguistic expression,offering a transcendent means of apprehending the human experience beyond the confines of nationality and language.Addition-ally,Fosse underscores the significance of music in his theatrical compositions,asserting that meticulous attention to the music is pivotal to the multifaceted success of his works on stage.

Jon FosseHenrik Ibsenlistenmythical

克里斯蒂娜·莫德雷亚努、约恩·福瑟、王语嫣

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罗马尼亚巴比什-波雅依大学

武汉大学艺术学院

约恩·福瑟 易卜生 倾听 神秘

2024

外国文学研究
华中师范大学

外国文学研究

CSTPCDCSSCICHSSCD北大核心
影响因子:0.399
ISSN:1003-7519
年,卷(期):2024.46(2)
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