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新感性、新思维与福瑟戏剧的新模式

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约恩·福瑟的戏剧创作,相对于从古希腊到易卜生的欧洲传统戏剧而言,不是局部创新,而是根本革新.其根本革新主要体现在:欧洲传统戏剧创作基于"理念论"哲学传统,最重视的是"看",而福瑟的戏剧创作则基于后形而上学的"存在论-解构论"新传统,最重视的是"听";通过转向以倾听为主的后形而上学感知范式,福瑟重构了一种把诗性、音乐性、神性与戏剧性融合在一起的"新感性",又化用了海德格尔、德里达等人的哲学思想,孕成他自己的新思维,进而创造了一种将极简戏剧、音乐诗剧、静默戏剧、灵知戏剧、留白戏剧等融为一体的新戏剧,形成了 一种独特的戏剧创作模式.其创作模式的内核,是在倾听中直呈人类的处境与本质,在危机、忧惧、向死而生中逼出人的"存在与时间".约恩·福瑟的戏剧创作模式,既体现出后形而上学时代艺术家对于"倾听"的倚重,也体现出直呈本质的极简书写的巨大活力,还反映出接受者的"创造性合作"在当代艺术活动中的特殊重要性.
New Sensibility,New Thinking,and the New Pattern of Jon Fosse's Drama
The dramatic creation of Jon Fosse represents not just partial innovation,but a radical innovation compared to the European traditional drama from ancient Greece to Ibsen.This radical innovation is primarily evident in the shift from the idea-oriented philosophy that underpins traditional European dramatic creation,which emphasizes"seeing"a post-meta-physical philosophy tradition of"Existentialism-Deconstruction",which prioritizes"listening".By transforming"seeing"to"listening",Fosse reconstructs a"new sensibility"that integrates poetic,musical,divine,and dramatic elements.He also employs the philosophical ideas of Heidegger,Derrida,and others to develop his own new thinking,thereby creating a new kind of drama that merges minimalist drama,musical and verse drama,silent drama,gnostic dra-ma,and blank-leaving drama,forming a unique dramatic creation pattern.The core of his creation pattern lies in presenting the human condition and essence through listening,bringing out the"being and time"dimensions of humanity in crisis,anxiety,and the life-towards-death process.The integration of new sensibility and new thinking forms the new pattern of Fosse's dramatic creation.This pattern not only reflects the post-metaphysical era artist's reliance and emphasis on"listening"but also showcases the immense vitality of minimalist writing that di-rectly presents the essence.Furthermore,it highlights the particular importance of the"creative cooperation"of the recipients in contemporary artistic activities.

Jon Fosseartistic innovationnew sensibilitynew thinkingnew pattern

汪余礼

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武汉大学艺术学院

约恩·福瑟 艺术革新 新感性 新思维 新模式

国家社会科学基金艺术学重大项目

23DZ07

2024

外国文学研究
华中师范大学

外国文学研究

CSTPCDCSSCICHSSCD北大核心
影响因子:0.399
ISSN:1003-7519
年,卷(期):2024.46(2)
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