首页|从机械机器人到智能机器人:人工智能的图像学

从机械机器人到智能机器人:人工智能的图像学

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智能机器人将人类带入了自原子弹、电灯或是印刷术以来最伟大的科技革命之中,同时智能机器也能走火入魔这一构思也向来是科幻作品的核心想象.纵观媒体发明的历史长河,对人工智能的恐慌并不新鲜,人们曾认为书写的发明和照相术将扼杀记忆和绘画,现在又照例指责数码正在毁灭模拟技术的独一性.人类应该冷静下来,采取对症下药的态度.有必要解构关于人与机器之差异的想象,而毋需躲避与智能机器人的交互谈话.人类物种虽然在作茧自缚,但同时又以进化与生态智能为基础,努力建设可持续全球体系.图像学研究的图像和文字同时包括了机器和人类的作品,因而相关的研究者应明确自己的任务:就文字与图像和智能机器人展开对话,在上述人类的生存努力中谋求与智能机器人携手合作.
From Robots to iBots:The Iconology of Artificial Intelligence
iBots are placing human beings in the midst of the greatest technological revolution since the atomic bomb,the electric light,or the printing press,while the idea that an intelli-gent machine can go mad has been a central fantasy of sci-fi.Seen within the long history of media invention,the panic over AI is nothing new,for similar to the inventions of writing and photography assumed to destroy memory and kill painting,the digital is routinely blamed for ruining the uniqueness of the analog.The humanities should calm down and approach this in a therapeutic mode.Our picture of the difference between humans and machines needs to be deconstructed,and there will be no avoiding or evading a talking cure.It is the task of iconol-ogists,who study the generation of images and words by both machines and humans,to enter into word and image dialogue with the iBots,to see if we can be friends and collaborators in the project of the human species surviving its own endemic madness and evolving into a sus-tainable global system grounded in evolutionary and ecological intelligence.

iBotsAImachineiconologymediahumanities

W.J.T.米切尔、韦清琦

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美国芝加哥大学

东南大学外国语学院

智能机器人 人工智能 机器 图像学 传媒 人文

2024

外国文学研究
华中师范大学

外国文学研究

CSTPCDCSSCICHSSCD北大核心
影响因子:0.399
ISSN:1003-7519
年,卷(期):2024.46(3)
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