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《牧神雕像》与美国19世纪中期的风景政治

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《牧神雕像》中的"如画风景"并非一成不变,而是19世纪中期美国社会现代化历程中性别、阶级和民族身份的流动载体.乡郊风景展现了男性中产阶级身份的形成与认同过程,体现出阶级在乡居城堡内外部景观中的流动性;城市景貌中废墟与公园,既映射了帝国的荣光与衰败,又暗示了社会融合的可能,揭示了帝国殖民话语在现代性语境中的复杂性;而在霍桑的跨国视角下,荒野林地得以想象并重构成美国民族性的风景形态,暗含了拓荒精神与民族情感.通过动态描绘乡郊、城市和荒野林地的风景,霍桑在美国社会转型过程中巧妙编织了男性中产身份、帝国殖民话语和美利坚民族情感的政治图景,赋予风景以流动的现代性和政治性特质,呈现出作家对如画风景的独特审美和对社会复杂现实的深刻洞察.
The Marble Faun and Landscape Politics in the Mid-Nineteenth Century America
The"picturesque landscape"in The Marble Faun is not static,but a dynamic carri-er of gender,class,and national identity amid the social modernization in the mid-nineteenth century America.The rural scenery showcases the formation and recognition process of the male middle-class identity,reflecting class fluidity in the interior and exterior landscape of the rural castle.Urban sceneries,featuring ruins and parks mirror the glory and decline of the empire while suggesting possibilities for social integration,thus,revealing the complexity of imperial colonial discourse in the context of modernity.From Hawthorne's transnational per-spective,the wilderness woodland can be imagined and reconstructed as a landscape form of American nationality,which symbolizes pioneering spirit and national sentiment.Through dy-namic depictions of rural,urban,and woodland landscapes,Hawthorne intricately weaved the political landscape of male middle-class identity,imperial colonial discourse,and American national sentiment in the process of American social transformation,endowing the landscape with liquid modernity and politics,thus presenting the author's unique aesthetic of picturesque landscapes and profound insight into the society's complex social realities.

Nathaniel HawthorneThe Marble Faunpicturesquelandscape politicsmoder-nity

陈慧

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南京师范大学外国语学院

霍桑 《牧神雕像》 如画 风景政治 现代性

2024

外国文学研究
华中师范大学

外国文学研究

CSTPCDCSSCICHSSCD北大核心
影响因子:0.399
ISSN:1003-7519
年,卷(期):2024.46(6)