文化软实力研究2024,Vol.9Issue(5) :35-47.DOI:10.19468/j.cnki.2096-1987.2024.05.004

权力之眼、表演与雅集——从周作人1941年的日本之行谈起

The Eye of Power,Performance,and Gathering:Discussing from Zhou Zuoren's Journey to Japan in 1941

陈言
文化软实力研究2024,Vol.9Issue(5) :35-47.DOI:10.19468/j.cnki.2096-1987.2024.05.004

权力之眼、表演与雅集——从周作人1941年的日本之行谈起

The Eye of Power,Performance,and Gathering:Discussing from Zhou Zuoren's Journey to Japan in 1941

陈言1
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作者信息

  • 1. 首都师范大学外国语学院
  • 折叠

摘要

1941 年4 月,为出席在日本召开的东亚文化协议会,以周作人为核心的北京的东亚文化协议会成员展开了为期两周的日本之旅.在日本军部和媒体的权力之眼的监视下,周作人经过谨慎的政治计算,在公开场合展开了极富多义性的表演.在日本作家举办的雅集活动中,无论是现场的气氛还是留下的手稿,都彰显了中华传统文化影响下的中日文人共有的情趣.但就文学交流的意义而言,相比较1934 年周作人的日本之旅,此次中日文人的交欢则呈现出文学(交流)史意义的倒退.1941 年的日本之旅集中揭示了初登权力巅峰的"文人督办"周作人在复杂境遇中的复杂心态.

Abstract

In April 1941,to attend the conference of the East Asian Cultural Council in Japan,the Beijing members with ZhouZuoren at the core embarked on a two-week journey.Under the surveillance of the power eye of the Japanese military and media,Zhou Zuoren conducted a highly ambiguous performance in public through careful political calculations.At the gatherings hosted by Japanese writers,both the atmosphere of the scene and the manuscripts left behind,highlighted the shared interests of Chinese and Japanese literati under the influence of traditional Chinese culture.However,in terms of the significance of literary exchange,compared to Zhou Zuoren's journey to Japan in 1934,this interaction between Chinese and Japanese literati presented a regression in the historical significance of literature exchange.The 1941 journey to Japan focused on revealing the complex mentality of Zhou Zuoren,the"literati supervisor"who had just reached the pinnacle of power,in a complex situation.

关键词

东亚文化协议会/日本/周作人/雅集

Key words

The East Asian Cultural Council/Japan/Zhou Zuoren/Gathering

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基金项目

北京市社科基金重点项目(20WXA002)

出版年

2024
文化软实力研究

文化软实力研究

ISSN:
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