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形象学视域中的迪斯尼木兰与中国图兰朵

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美国奇幻电影《花木兰》和中国奇幻电影《图兰朵:魔咒起缘》是疫情阻隔下跨文化对话的特殊案例,搭建起跨文化交流迷径丛生的双向通道,突显出新世纪异国形象塑造中依然存在的西方中心主义和自我东方化问题.基于纵的梳理和横的比较,比较文学的形象学研究或可由此突围,进而生成真正的间性智慧.
Mulan by Disney and The Curse of TurandotViewed from the Imagological Perspectives
The American fantasy film Mulan and the Chinese fantasy film The Curse of Turandot are special cases of intercultural dialoguesacross the barrier of the epidemic, building a two-way channel with multiple paths of cross-cultural communication, highlighting the problems of Occidentalism and self-orientalization existing in the creation of foreign images in the new century. Based on vertical and horizontal comparisons, imagology in comparative literature may break through the barrier and then generate the real intercultural wisdom.

MulanThe Curse of TurandotImagologyInterculturalwisdom

王则蒿

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五邑大学 文学院,广东 江门 529020

花木兰 图兰朵 形象学 间性智慧

五邑大学"外国文学"线下一流课程建设项目

KC2021044

2024

五邑大学学报(社会科学版)
五邑大学

五邑大学学报(社会科学版)

CHSSCD
影响因子:0.146
ISSN:1009-1513
年,卷(期):2024.26(2)
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