摘要
在当代诗人荣荣的诸多诗作中，《放下》《大热天的释正进》《皈依》等是典型的涉佛诗歌，佛教形象在荣荣笔下获得较有特色的审美呈现。从显性层面来说，主要是有佛教文化色彩的诗歌形象；就隐性层面而言，则是审美形象中的佛教意蕴，具体诗篇各有其特点与侧重。通过对上述诗作中佛教形象的剖析，结合佛教的现代转型以及中国现当代新诗与佛教的渊源，可以发现荣荣笔下的佛教形象庄重深邃而又亲切质朴，融合了佛教精神、审美体验与日常生活。
Abstract
There are the aesthetic images of Buddhism in the poems of Rong Rong who is a contemporary poet, such as Liberate, Shi Zhengjin in Summer, Conversion and so on. From the dominant visual angle, there are some poetic images of Buddhism. From the recessive visual angle, these aesthetic images contain some Buddhist meaning. The Buddhist characteristics are different among these poems. By the study of the aesthetic images of Buddhism, under the background of the connection between Buddhism and Chinese modern poetry, we could realize the aesthetic images of Buddhism in Rong Rong’s poems are solemn, profound, kind and plain. Here Buddhist spirit, aesthetic experience and daily life are integrated.
基金项目
浙江省哲学社会科学规划课题(15NDJC142YB)
中国博士后科学基金第58批面上资助(一等)(2015M580505)
NETL
NSTL
万方数据