"Li's Annotation to Me":The Generation and Evolution of Li Bai's Poetic Self-Annotation in Tang and Song Poems
The four elements of annotation quantity,annotation category,annotation attitude and annota-tion meaning are the dimensions of the development of Li Bai's self-annotation in Tang and Song poems.Tak-ing it as a breakthrough point,it can be found that the quoting of Li's poems in ancient Chinese poetry began in the late Tang Dynasty,and the late Tang Dynasty became the generation period of quoting Li'spoems in Tang and Song poems.In this period,the number and types of comments were small,the attitude of comments was i-dentification,and the meaning of comments was single.From the beginning of the Northern Song Dynasty to the turn of the Southern and Northern Song Dynasties,it was the development period of Tang and Song poems quo-ting Li's poems.In this period,the number and types of annotations increased,the attitude of annotations was both identification and negation,and the significance of annotations was diversified.The number and types of annotations weremore,the annotation attitude was the expansion of the coexistence of identification and nega-tion,the annotation significance was comprehensive,marking the self-annotation of Li's poems from the early Southern Song Dynasty to the turn of Song and Yuan Dynasty had entered a prosperous period.In the process of inheritance and development,the three periods promoted the generation and evolution of the self-notes of Li's poems quoted in Tang and Song poems,and its cultural context was Tang and Song poets'tour experiences,singing activities,expressing needs and accepting attitudes.
Tang and Song poetryQuoting Li Bai's poems for self-annotation"Li's annotation to me"
国家科技期刊平台
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