非纪实民族志影像的学术渊源、发展历程与实践类型
The Academic Origin,Development Process and Practice Types of Non-documentary Ethnographic Films
刘杰 1王海飞1
作者信息
- 1. 兰州大学 西北少数民族研究中心,甘肃 兰州 730000
- 折叠
摘要
在以文化书写为目标的民族志影像发展过程中,关于非纪实民族志影像的理论与实践探索从未止步.为实现完整的文化表达或文化批评等方面的目标,创作主体在深度田野调查的基础上,存在运用动画、戏剧、剧情等多样化方式突破限制,诉诸文化深层表达的非纪实倾向.从学术渊源、发展历程与实践类型三个方面对非纪实民族志影像相关理论与实践活动进行梳理,有助于厘清民族志影像的边界与范畴,以宽容的理论框架,兼容民族志影像在表达形式层面的实践探索,发挥影像的传播优势,进一步实现民族志影像的社会价值,推进新时代中国影视人类学的发展.
Abstract
In the development of ethnographic films aimed at cultural writing,the practical and theoretical exploration of non-documentary ethnographic films has never stopped.In order to achieve goals of complete cultural expression or cultural criticism and other aspects,on the basis of in-depth fieldwork,creative subjects have used diversified non-documentary ways such as animation,drama and plot to break through the limitation and resort to non-documentary trend of deep cultural expression.This article sorts out the theories and practices concerning non-documentary ethnographic films from three aspects of academic origin,development process and practice types.This helps clarify the boundary and categories of ethnographic films,integrate the exploration of ethnographic films in the form of expression through a tolerant theoretical framework,give full play to the advantages of film communication,further realize the social value of ethnographic films,and promote the development of Chinese visual anthropology in the new era.
关键词
非纪实民族志影像/学术渊源/民族志影像史/影视人类学Key words
non-documentary ethnographic films/academic origin/history of ethnographic films/visual anthropology引用本文复制引用
基金项目
中央高校基本科研业务费专项(22lzujbkyxs021)
出版年
2024
NETL
NSTL
万方数据