艺术审美接受史中的"鹧鸪"意象及其器乐音响特例
The Image of"Partridge"and Its Special Case of Instrumental Music in the History of Artistic Aesthetic Acceptance
武文华1
作者信息
- 1. 上海音乐学院音乐艺术研究院,上海 200031
- 折叠
摘要
对于中国论域的艺术哲学研究范畴而言,"鹧鸪"是国人艺术审美接受史中的一个经典审美意象.通过以音乐艺术为中心的相关器乐化音响的经典艺术表达,人们可管窥到"鹧鸪"的"远-中-近"三个审美意象层次的发展印迹,体味到主体间审美思维和艺术接受中所达成的集约性.江南丝竹名曲《鹧鸪飞》是这种审美意象的音乐美学特例,在中国传统意象美学作为整个审美过程学理核心的前提下,体现出娴雅、端秀、氤氲的接受美感.
Abstract
As far as the research category of Chinese philosophy of art is concerned,"Partridge"is a classic aesthetic image of Chinese people's art aesthetics,this paper starts from the center of music art and carries on the division and consideration of the long-middle-near perspective.The ultimate connotation of its artistic symbol has a very unique aesthetic value for the specific history of artistic aesthetic acceptance.A famous song of Jiangnan Sizhu the Partridge in Fly is a special case of music aesthetics in this aesthetic image.Under the premise of Chinese traditional image aesthetics as the academic core of the whole aesthetic process,it embodies the acceptance aesthetic feeling of"Xian Ya","Duan Xiu"and"Yin Yun".
关键词
审美接受/审美意象/艺术哲学/《鹧鸪飞》Key words
aesthetic acceptance/aesthetic images/philosophy of art/the Partridge in Fly引用本文复制引用
出版年
2024
NETL
NSTL
万方数据