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艺术审美接受史中的"鹧鸪"意象及其器乐音响特例

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对于中国论域的艺术哲学研究范畴而言,"鹧鸪"是国人艺术审美接受史中的一个经典审美意象.通过以音乐艺术为中心的相关器乐化音响的经典艺术表达,人们可管窥到"鹧鸪"的"远-中-近"三个审美意象层次的发展印迹,体味到主体间审美思维和艺术接受中所达成的集约性.江南丝竹名曲《鹧鸪飞》是这种审美意象的音乐美学特例,在中国传统意象美学作为整个审美过程学理核心的前提下,体现出娴雅、端秀、氤氲的接受美感.
The Image of"Partridge"and Its Special Case of Instrumental Music in the History of Artistic Aesthetic Acceptance
As far as the research category of Chinese philosophy of art is concerned,"Partridge"is a classic aesthetic image of Chinese people's art aesthetics,this paper starts from the center of music art and carries on the division and consideration of the long-middle-near perspective.The ultimate connotation of its artistic symbol has a very unique aesthetic value for the specific history of artistic aesthetic acceptance.A famous song of Jiangnan Sizhu the Partridge in Fly is a special case of music aesthetics in this aesthetic image.Under the premise of Chinese traditional image aesthetics as the academic core of the whole aesthetic process,it embodies the acceptance aesthetic feeling of"Xian Ya","Duan Xiu"and"Yin Yun".

aesthetic acceptanceaesthetic imagesphilosophy of artthe Partridge in Fly

武文华

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上海音乐学院音乐艺术研究院,上海 200031

审美接受 审美意象 艺术哲学 《鹧鸪飞》

2024

西北师大学报(社会科学版)
西北师范大学

西北师大学报(社会科学版)

CSSCICHSSCD北大核心
影响因子:0.607
ISSN:1001-9162
年,卷(期):2024.61(2)
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