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《西游记》中的"如来"说法与"空"的审美还原

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《西游记》中的如来佛祖是具身化的终极实在,取经僧徒对神圣存在的觉知为终极实在具身化为"空"的审美范畴提供了稳固的形而上根基.在听如来佛祖说法的过程中,取经僧徒由于消解了其所执着的自我意识,如来佛祖于此主动现身,神圣存在于如来佛祖的说法中得以具身性地在场,虚空也由此转向审美之空.取经僧徒默会到了如来佛祖"空"的说法的审美规律,并于此获得从绝对虚无迈向绝对存在,从佛祖之至美的分享者到遨游于佛国妙境的审美契机.而取经僧徒成佛则意味着佛弟子复归终极实在,也即意味着从价值的虚无走向价值的实有的潜在性,这种潜在性不仅是佛弟子弘扬"空"的教义的自由意志的显现,也是佛弟子行进在向神圣存在主动皈依的审美还原之路上.
The"Tathagata Buddha"and the Aesthetic Restoration of"Emptiness"in Journey to the West
The Tathagata Buddha in Journey to the West is the embodiment of the ultimate reality,and the aware-ness of divine existence by Buddhist scripture seekers provides a solid metaphysical foundation for the aesthetic category of the embodiment of the ultimate reality into emptiness.In the process of listening to the teachings of the Tathagata Buddha,the monks who took the scriptures dissolved their persistent self-awareness,and hence the Tathagata Buddha voluntarily appeared.The divine existence was embodied in the teachings of the Tathagata Buddha,and the emptiness turned to the aesthetic emptiness.The Buddhist monks who took the scriptures si-lently understood the aesthetic law of the Buddha's"emptiness",and thus obtained an aesthetic opportunity to move from absolute nothingness to absolute existence,from sharing the Buddha's ultimate beauty to wandering in the wonderful realm of Buddhism.And becoming a Buddhist monk while taking scriptures means that the Bud-dhist disciples return to the ultimate reality,which means moving from the nothingness of value to its real poten-tial.This potential is not only the manifestation of the free will of the Buddhist disciples to promote the doctrine of emptiness,but also the aesthetic restoration of the Buddhist disciples actively converting to the divine exist-ence.

Journey to the Westthe explanation about the scriptures of the Buddhaanesthetic restorationemp-tiness

安汝杰

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平顶山学院 体育学院,河南 平顶山 467000

《西游记》 如来说法 审美还原

国家社会科学基金重大项目(2019)

19ZDA256

2024

许昌学院学报
许昌学院

许昌学院学报

影响因子:0.196
ISSN:1671-9824
年,卷(期):2024.43(3)