庞统容貌"丑化"的文化意蕴
Cultural Connotation of Pang Tong's Appearance Uglification
许中荣1
作者信息
- 1. 信阳师范大学 文学院,河南 信阳 464000
- 折叠
摘要
《三国演义》中庞统容貌的"丑化"并非是意在通过容貌贬低庞统,以达到凸显诸葛亮完美形象之目的.庞统容貌的"丑化"包含了三层内涵:一是,通过人物的"貌陋",以示其"长相不凡",并在"畸人"观的影响下,表达"外丑内美"的写人意图;二是,"貌陋"作为"失威仪之制"的一种表现,源自古代对狂士群体的一种形象期待,借以彰显庞统的狂士气质;三是,庞统的"貌陋"与其政治上的失意,在"以貌取人,失之子羽"择才观的文化传统中,也流露了深沉的"士不遇"的悲情色彩.
Abstract
The appearance uglification of Pang Tong in Romance of the Three Kingdoms is not intended to belittle him while highlighting Zhuge Liang's perfect image.The uglification contains three layers of connotations.Firstly,through the ugliness of the characters,it aims to show"extraordinary appearance",and to realize"external ugliness,but internal beauty"on the influence of the abnormal person view.Secondly,to manifest Pang Tong's self-conceited temperament,an ancient expectation of the image.Thirdly,Pang Tong's ugliness is closely related to his political disappointment,which reveals a profound tragic color of"talents unrecognized".
关键词
《三国演义》/庞统/丑化/畸人/狂士Key words
Romance of the Three Kingdoms/Pang Tong/uglification/abnormal person/self-conceited gentleman引用本文复制引用
基金项目
国家社会科学基金后期资助项目(22FZWB067)
河南兴文化工程文化研究专项(2023XWH284)
出版年
2024
国家科技期刊平台
NSTL
万方数据