首页|环境·自然·知识——论艾伦·卡尔松环境模式的超越性

环境·自然·知识——论艾伦·卡尔松环境模式的超越性

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艾伦·卡尔松提出的环境模式作为一种自然审美欣赏模式,在"环境""自然"和"知识"三个维度上超越了对象模式、风景模式和人类中心主义模式。环境模式以"自然是自然的"和"自然是环境的"为基本原则,以对象模式和风景模式为主要批判对象,以自然科学知识为核心要义,以科学认知主义为基本立场和理论根基。但是,环境模式的建构路径囿于自然与艺术二分的分析美学思路,是一种更为隐蔽的艺术模式;环境模式在反对人类中心主义的同时,将自然与人类相对立,矫枉过正以致陷入生态中心主义。"生态审美模式"综合了多种自然欣赏模式,可以成为环境模式和环境美学未来的发展方向。
Environment,Nature,Knowledge:Transcendentality of Allen Carlson's Environmental Model
Allen Carlson's"environmental model",as a model for aesthetic appreciation of nature,transcends the object model,landscape model,and anthropocentric model in the three dimensions of"environment""nature"and"knowledge".As for the environmental model,the basic principles are"nature is natural"and"nature is environmental".Its main critical objects are object model and landscape model,while its essence is rooted in natural scientific knowledge.And its basic position and theoretical foundation are grounded in scientific cognitivism.However,the constructed path of the environmental model is confined to the analytical aesthetics of the dichotomy between nature and art,rendering it a more covert art model.The environmental model opposes anthropocentrism while simultaneously opposing both nature and human beings,thereby falling into eco-centralism.The"ecological aesthetic model"integrates a variety of natural appreciation models and may serve as a future developmental direction for both the environmental model and the environmental aesthetics.

Allen Carlsonaesthetic appreciation of natureenvironmental modelscientific cognitivism

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山东大学 文艺美学研究中心,山东 济南 250100

艾伦·卡尔松 自然审美欣赏 环境模式 科学认知主义

国家社会科学基金

20BZW025

2024

湖北文理学院学报
湖北文理学院

湖北文理学院学报

CHSSCD
影响因子:0.164
ISSN:2095-4476
年,卷(期):2024.45(3)
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