《傲慢与偏见》的叙事视角
Analysis on the Narrative Perspectives in Pride and Prejudice
祝燕敏1
作者信息
- 1. 电子科技大学 中山学院外国语学院, 广东 中山 528400
- 折叠
摘要
《傲慢与偏见》是19世纪现实主义作家简·奥斯汀的精心之作. 自出版近200年以来,它始终以独特的艺术魅力备受读者与评论家的青睐.文章运用叙事学理论,试从叙事视角方面来探讨《傲慢与偏见》的独特魅力. 分析作品中"上帝"般的叙述者的全知视角和人物的有限视角的运用. 全知叙述者无所不知,时而透视主角的内心叙述者还常对人物和事件进行公开和隐蔽的评论,与读者心意相通.使人物栩栩如生,呼之欲出. 时而切换为人物有限视角,使故事发展富于戏剧性和真实性,水到渠成,情节趣味横生. 主角经历了由有限的理智到感情上的傲慢与偏见、克服傲慢与偏见、直到更高的理智的过程,突出了主题.
Abstract
Pride and Prejudice is Jane Austen's classic work in the 19th century. Since published for nearly two hundred years, it has always attracted readers and critics for its unique artistic charm. With the theory of narratology, this paper tries to explore the unique charm of Pride and Prejudice from the aspect of narrative perspectives. It analyzes the narrator's omniscient point of view, and the use of characters' limited angle of view. Omniscient narrator knows everything, and sometimes comments on the characters and events in public and secretly. Thus the characters are vividly portrayed. Sometimes it switches to a limited point of view, which contributes to dramatic story development and authenticity, smoothness, and interesting plot. The protagonists experience limited reason, pride and prejudice, and overcome pride and prejudice, reaching genuine reason ultimately, highlighting the theme.
关键词
《傲慢与偏见》/叙事/视角Key words
Pride and Prejudice/narration/perspective引用本文复制引用
出版年
2015
NETL
NSTL
维普
万方数据