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新疆维吾尔民族文化与王蒙小说"狂欢化"语言风格的形成

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二十世纪六十至八十年代,王蒙在新疆生活了十六年,并通过熟练掌握维吾尔语深入多民族文化内核.这段经历成为王蒙新时期"思想和文学创作新的出发点".在某种程度上,王蒙新时期创作主题的拓展、新的语言风格的形成等都离不开他的"新疆经验",尤其是维吾尔语言文化经验.例如,王蒙在《这边风景》中,就表现出了比较明显的汉/维双语混合思维下的汉语叙事特征,使其小说语言呈现出了"多声部"的现象.这一创作经验为其"狂欢化"语言风格的形成奠定了基础.
On Xinjiang Uyghur Ethnic Culture and the Formation of"Carnivalized"Language Style in Wang Meng's Novels
From the 1960s to the 1980s,Wang Meng had lived in Xinjiang for 16 years.He gained insights into the core of multi-ethnic culture through his proficiency in the Uyghur language.This experience became Wang Meng's"new starting point for thought and literary creation"in the new period.To some extent,the expansion of Wang Meng's creative themes in the new period and the formation of new language styles are inseparable from his"experi-ence in Xinjiang",especially his experience of Uyghur language and culture.For example,in"The Scenery Here",Wang Meng presented a relatively obvious Chinese narration featuring bilingual thinking in Chinese and Uyghur lan-guages,making his novel language show the phenomenon of"multiple voices".This experience laid a foundation for the formation of his"carnivalized"language style.

Wang MengLanguage StyleUyghur Language"Carnivalization"The Scenery Here

邓永江

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四川师范大学 中华传统文化学院,四川 成都 610000

王蒙 语言风格 维吾尔语 "狂欢化" 《这边风景》

2022年度教育部人文社会科学研究西部项目四川师范大学巴蜀文化研究中心2023年度项目

22XJC751002BSYB23-23

2024

新疆大学学报(哲学社会科学版)
新疆大学

新疆大学学报(哲学社会科学版)

CSSCICHSSCD北大核心
影响因子:0.447
ISSN:1000-2820
年,卷(期):2024.52(4)