新疆艺术学院学报2024,Vol.22Issue(1) :37-50.

清代肖像画中的西洋元素探讨

An Exploration into Western Elements in the Portrait Painting of the Qing Dynasty

朱万章
新疆艺术学院学报2024,Vol.22Issue(1) :37-50.

清代肖像画中的西洋元素探讨

An Exploration into Western Elements in the Portrait Painting of the Qing Dynasty

朱万章1
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作者信息

  • 1. 中国国家博物馆 北京 100006
  • 折叠

摘要

东西方绘画的碰撞与交集由来已久,至少在明代晚期,中国绘画就有直接受到西洋画影响的记载.在诸画科中,来自写真的肖像画无疑受其影响最深.自晚明曾鲸的"波臣画派"以来,清代肖像画中直接或间接受到西洋画影响的状态愈加明显.明代后期,西方传教士利玛窦来华,带来的油画在中国沿海地区产生一定影响.清代中期,以郎世宁、艾启蒙等为代表的西洋画家,又对以清代宫廷绘画为中心的肖像画产生影响.18世纪到19世纪,以广东、福建、上海为中心的沿海地区,对外交流频仍,中西结合的画法广泛运用于肖像画中.清代肖像画演进与嬗变中,西洋画元素成为一个不可忽略的因素.

Abstract

It is long since Eastern and Western painting met and influenced each other.As early as in the late Ming Dynasty,there were records that Chinese painting was directly influenced by Western painting.Among various painting disciplines,portrait paintings are undoubtedly the most deeply influenced.Since the"Bochen Painting School"led by Zeng Jing in the late Ming Dynasty,the direct or indirect influence of Western painting on portrait paintings in the Qing Dynasty has become increasingly apparent.In the late Ming Dynasty,Western missionary Matteo Ricci came to China and brought oil paintings that had a certain impact on the coastal areas of China.In the mid Qing Dynasty,Western painters such as Giuseppe Castiglione and Jgnatius Sickeltart also had an influence on portrait paintings centered around Qing court painting.From the 18th to the 19th century,the coastal areas centered around Guangdong,Fujian,and Shanghai had frequent exchanges with foreign countries,and the combination of Chinese and Western painting techniques was widely used in portrait painting.In the evolution of portrait painting in the Qing Dynasty,Western painting elements became a significant factor.

关键词

清代/肖像画/西洋画/外销画/中西结合/写真

Key words

The Qing Dynasty/Portrait Painting/Western Painting/Export Painting/Combination of Chinese and Western Painting/Photography

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出版年

2024
新疆艺术学院学报
新疆艺术学院

新疆艺术学院学报

影响因子:0.157
ISSN:1672-4577
参考文献量37
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