In the context of globalization and immigration,the architectural production between South China and Southeast Asia has shown a"two-way"flow.Based on the theories of Building Mode and Transnational Network,and by integrating local newspaper sources and field interviews,this study aims to analyze the conservation practices during the post-1990s renovation of Lian Shan Shuang Lin Monastery in Singapore and identify the driving forces behind value recognition.The study highlights a transnational collaborative process that combines transplantation and innovation with homeland practices in the renovation initiative,providing a precedent for heritage research from a regional perspective.
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