首页|多民族交融叙事:早期民国少数民族题材电影的审美自觉与历史绵延(1930～1948)

多民族交融叙事:早期民国少数民族题材电影的审美自觉与历史绵延(1930～1948)

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中国民族学的研究范式逐渐从"族别研究范式"转向"族际研究范式"以及"多元一体"研究范式等并存的格局.但中国少数民族题材电影的研究依旧停留在"族别研究范式"之下,其研究范式亟待更新.本文便以早期民国的少数民族题材电影为例,运用"族际研究范式"和"多元一体研究范式"对这一时期少数民族题材电影进行史论分析.因为这一时期的电影正是通过讲述多民族交往交流交融的故事并在此过程中裹挟、孕育着少数民族的叙事元素,这由此形塑了早期民国少数民族题材电影以多民族为书写对象的艺术表征与文化风貌,也即多民族交融叙事.这不仅从历史发生学的角度论证了少数民族题材电影在"族际研究范式"和"多元一体研究范式"上的亲缘性,促成其研究范式的转向,也从实证的角度揭示出少数民族电影史在多民族交融及民族共同体建构上的价值贡献与时代意义,促使其融汇于中国民族学研究的主流.
Multi-minzu Blending Narrative:The Aesthetic Consciousness and Historical Continuity of Minority Films in the Early Republic of China(1930～1948)
The research paradigm of Chinese ethnology has gradually changed from"ethnic research paradigm"to"inter-min-zu research paradigm"and"pluralism and unity"research paradigm.However,the research of Chinese minority films is still under the"ethnic research paradigm",and its research paradigm needs to be updated.This paper takes the ethnic-themed films of the early Republic of China as an example,and uses the research paradigm of"inter-minzu research paradigm"and"pluralism and unity"to make a historical analysis of the ethnic-themed films of this period.Because the films of this period told the story of multi-minzu communication and integration and contained and nurtured the narrative elements of ethnic minori-ties in the process,this shaped the artistic representation and cultural style of the minority films of the early Republic of China,that is,the narrative of multi-minzu integration.This not only demonstrates the affinity of ethnic minority films in the"inter-minzu research paradigm"and the"pluralism and unity"research paradigm from the perspective of historiography,but also re-veals the value contribution and era significance of the history of ethnic minority films in the integration of multi-minzu groups and the construction of ethnic communities from an empirical perspective,and makes them integrate into the mainstream of Chi-nese ethnological studies.

films about ethnic minorities in the Republic of Chinainter-minzu research paradigmmulti-minzu blending narrativenational communityexchange,communication and blend

郑文杰

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云南大学 西南边疆少数民族研究中心,云南 昆明 650091

民国少数民族题材电影 族际研究范式 多民族交融叙事 民族共同体 交往交流交融

2020年国家社会科学基金艺术学重大项目2022年云南大学研究生科研创新基金项目资助

20ZD27KC-22221678

2024

学术探索
云南省社会科学界联合会

学术探索

CHSSCD
影响因子：0.464
ISSN：1006-723X
年,卷(期)：2024.(6)
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