风景何以进入艺术:西方汉学视野里的中国艺术及其山水经验
Why and How Landscape Incorporate into Art:Chinese Art and Its Landscape Experience from the Perspective of Western Sinology
代迅1
作者信息
- 1. 厦门大学中文系(福建厦门,361005)
- 折叠
摘要
风景进入艺术蕴含了人与自然的审美关系的深刻变化,使人们审美的眼睛从功利转向非功利,从人和动物转向植物与风景,这是人类美学史上具有决定性意义的革命.风景艺术的产生并非仅仅意味着审美对象和艺术题材的重要变革,对自然风景的欣赏标志着人类的审美活动达到了一个新的阶段,这就是对自然的审美自觉.魏晋时期的中国和文艺复兴时期的欧洲都创造了风景文化.山水美学是中国风景文化的结晶,中文的山水不同于欧洲语言的风景,自然审美的伦理化推动中国山水美学形成简淡疏阔的民族特征,为心灵的诗意栖居提供洞天福地,构成了中国山水美学的基本走向.中国先于西方世界形成的山水美学是最具民族性的美学遗产,在世界美学史上具有跨时代的重要意义.
Abstract
Landscape into art contains profound changes in the aesthetic relationship between man and nature,causing people's aesthetic focus to shift from interestedness to disinterestedness,from people and animals to plants and landscape,which is the most decisive revolution in the history of aesthetics.The emergence of landscape art is not only an important transformation in aesthetic objects and artistic themes.The appreciation of natural scenery marks that human aesthetic activities have reached a new stage,which is the consciousness of natural aesthetics.China during the Wei-Jin Period and Europe during the Renaissance both created landscape culture.Landscape aesthetics is the fruit of Chinese landscape culture.Landscape in Chinese is different from landscape in European languages.The ethicalization of natural aesthetics has promoted Chinese landscape aesthetics to form a plain and bland national characteristic.Providing a paradise for the poetic dwelling of the soul constitutes the basic trend of Chinese landscape aesthetics.China's landscape aesthetics,which was formed before the Western world,is the most national aesthetic heritage and has epochal significance in the history of world aesthetics.
关键词
风景/艺术/西方汉学/中国山水美学/世界意义引用本文复制引用
基金项目
国家社会科学基金重点项目(23AZX014)
出版年
2024
NETL
NSTL
万方数据