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中国美学范畴体系的逻辑结构

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中国美学具有独特的范畴体系。作为中国文化所特有且与审美相联系的一种知识结构,它是一个动态四维的逻辑网络。此即:一个逻辑原点:无极;二重哲学本体:绝对之无的本在性无极,与相对之无的次在性太极的对应结合,以无极为"一级本体"、太极为"二级本体";三大人文支柱:历史哲学意义的"道"、文化意义的"气"与审美现象意义的"象"的三者相和;四为基层建构:由"道、气、象"三者构成其各自所统摄的范畴群落及其相融。中国美学范畴体系,具有有序而深邃的思性诗性化、诗性思性化的人文特点,渗溶着中华文化所特具的生命意识。
Logical Structure of Category System in Chinese Aesthetics
There is a unique category system in Chinese aesthetics.Being a knowledge structure which is unique for Chinese culture and is related to aesthetics,it is a logic network with four dynamic dimensions.It includes the following contents.(A)One logical starting point,i.e.,Wuji(the non-Ultimate).(B)A double philosophical ontology,i.e.,the essential Wuji of absolute none,and it combines with a secondary Taiji(the Great Ultimate)of relative none,by Wuji as"firstly ontology"and Taiji as"secondary ontology".(C)There are three humanistic mainstays,namely,the"Dao"(the Way)of historical-philosophical significance,the"Qi"(the Vitality)of cultural significance,and the"Xiang"(the Image)of aesthetic and phenomenological significance,and they are the three-in-one.(D)So it is a fundamental structure of category groups respectively governed by Dao(the Way)-Qi(the Vitality)-Xiang(the Image)as well as their merge.The categorical system of Chinese aesthetics has the characteristic of orderly and deeply thinking-in-poetics and poetics-in-thinking,full of life consciousness which is unique in Chinese culture.

aestheticscategory systemlogicstructureWujiTaijiDao-Qi-Xiang

王振复

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复旦大学中文系(上海200234)

美学 范畴体系 逻辑 结构 无极 太极 道气象

2024

学术月刊
上海市社会科学界联合会

学术月刊

CSTPCDCSSCICHSSCD北大核心
影响因子:0.846
ISSN:0439-8041
年,卷(期):2024.56(1)
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