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历史罪证的"记忆场":军歌与日本的战争记忆

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"声音景观"和"听觉经验"在当代历史研究中蔚然兴起,但关于战争军歌与历史记忆的研究方兴未艾。军歌本身不仅是记忆的媒介,也是媒介的记忆,是一种易被历史表征化的政治声音。作为战争记忆的"同期声",日本军歌随之兴起,成为昭和战争的"进行曲",日军形象的"美化剂",历史罪证的"记忆场"。在1945年宣布战败后,日本军歌作为战败记忆的"回潮曲",仍依旧传唱复兴。需要警惕当代军歌"怀旧潮"中体现"历史伪饰"的情感共同体、假借"军事趣味"的代际延续、甄别"反战和平"的现实需要。
The Memory Field of Historical Criminal Evidence:Military Songs and Japan's War Memory
"Sound scape"and"auditory experience"are rising in contemporary historical research,but the research on war songs and historical memory is in the ascendant.Military song itself is not only the medium of memory,but also the memory of the media.It is a political voice that is easy to be represented by history.As the"simultaneous voice"of war memory,the Japanese military song of World War Ⅱ"Rose"and became the"March"of Showa war,the"beautifying agent"of the image of the Japanese army and the"memory field"of historical criminal evidence.After the declaration of defeat in 1945,Japan's World War Ⅱ military songs,as the"revival song"of the memory of defeat,still sing"revival".We need to be vigilant against the emotional community of"historical hypocrisy"embodied in the"nostalgic tide"of contemporary military songs,the intergenerational continuation of"military interest"and the practical needs of"Anti War Peace".

Japanese military songmemory of waremotional mobilizationhistorical criminal responsibilityAnti War Peace

陶赋雯

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上海师范大学影视传媒学院(上海200234)

日本军歌 战争记忆 情感动员 历史罪责 反战和平

国家社会科学基金艺术学一般项目上海师范大学青年跨学科创新团队培育项目上海市高水平地方大学创新团队

20BC038

2024

学术月刊
上海市社会科学界联合会

学术月刊

CSTPCDCSSCICHSSCD北大核心
影响因子:0.846
ISSN:0439-8041
年,卷(期):2024.56(2)
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