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构建"亚洲电影":1957年亚洲电影周与新中国的电影节外交

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1957年中国举办的亚洲电影周,在万隆会议后中国面向亚非世界的文化外交事业中扮演了关键角色。它不仅初步建立了亚洲内部的电影生产、传播网络,促进了超越冷战分隔的电影交流,借此召唤基于反殖民经验的亚洲共同体,还积极建构、推广反殖民主义电影的概念与美学,在电影理论方面也有重要突破。同时,电影周也在组织形式方面进行了诸多实验,强调各国影业的平等交流与百花齐放,探索建立多元亚洲主体的新模式。通过构建以合作为基础、以亚洲认同为内涵的"亚洲电影",这一活动不仅推动了亚非团结事业的发展,也成了世界范围内的第三世界电影理论问题的先声。
The Making of"Asian Cinema":The 1957 Asian Film Week and China's Film Festival Diplomacy
Following the Bandung Conference,the 1957 Asian Film Week played a crucial role in China's cultural diplomacy towards postcolonial Asian and African nations.With the network it established for inter-Asian film production,distribution,and circulation,the 1957 Asian Film Week not only promoted a transnational Asian identity,but it also actively developed the idea of anticolonial cinema,leading to significant advances in film theory.In the meantime,the Asian Film Week experimented with the Cold War conventions of film festivals in an attempt to create a platform that emphasized equality and inclusiveness among Asian nations,with the goal of enhancing China's diplomatic ties with these nations and shifting the balance of power within the"new Asia."With its making of"Asian cinema,"the 1957 Asian Film Week advanced the notion of Asian-African solidarity in the post-Bandung era,and due to its affiliations with the Afro-Asian Film Festival(1958-1964)and the Third Cinema movement,it also made a lasting impact on the history of global cinema.

Asian Film WeekAsian cinemaBandung Conferenceanticolonial cinemafilm festival diplomacy

胡楠

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复旦大学中文系(上海200433)

亚洲电影周 亚洲电影 万隆会议 反殖民主义电影 电影节外交

2024

学术月刊
上海市社会科学界联合会

学术月刊

CSTPCDCSSCICHSSCD北大核心
影响因子:0.846
ISSN:0439-8041
年,卷(期):2024.56(12)