首页|1932-1937年"左翼影评人"群体探析

1932-1937年"左翼影评人"群体探析

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20世纪30年代,随着中国共产党领导左翼电影运动的深入发展,"左翼影评人群体"从无到有,迅速崛起.部分受党指派的中共党员、左翼戏剧工作者及进步知识青年基于地缘结构、学缘路径的联结,业缘路径的支撑及政治主张的趋同等多重因素的影响,聚合在一起,初步形成一支以电影批评为锐利武器并初具组织形态的影评群体.左翼影评人以《申报》《民报》《大晚报》等报纸的电影副刊为主要阵地展开斗争,在斗争实践中不断强化自身政治自觉,提升理论素养,完成群体的塑造和巩固,为党在电影领域的意识形态斗争中发挥了重要作用.
An Analysis of"Left-Wing Film Critics"from 1932 to 1937
In the 30s of the 20th century,with the in-depth development of the left-wing film movement led by the Communist Party of China,the"left-wing film critic group"rose rapidly from scratch.Some members of the Communist Party of China appointed by the Party,many left-wing theater workers and progressive young intellectuals gathered together under the influence of multiple factors such as geographical structure,affiliation of academic pathways,support of professional connection,and the convergence of political views.They gradually formed a group of film critics with film criticism as a sharp weapon.Left-wing film critics used the film supplements of some major newspapers,like"Shen Bao","Min Bao",and"Da Wan Bao",as the main positions to carry out the struggle,and con-stantly strengthened their political consciousness in the practice of struggle,enhanced their theoretical literacy,and completed the sha-ping and consolidation of their group,which played an important role in the Party's ideological struggle in the film field.

left-wing film criticismleft-wing film criticgroup shaping

张晶宇、贾亚蕊

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湘潭大学 马克思主义学院,湖南 湘潭 411105

左翼电影批评 左翼影评人 群体塑造

湖南省社会科学基金青年项目

21YBQ041

2024

湘潭大学学报(哲学社会科学版)
湘潭大学

湘潭大学学报(哲学社会科学版)

CSTPCDCSSCICHSSCD北大核心
影响因子:0.589
ISSN:1001-5981
年,卷(期):2024.48(4)
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