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论福特《队列之末》中的听觉印象主义书写

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英国小说家福特的四部曲小说《队列之末》聚焦一战前线的声音景观,通过听觉印象主义手法呈现战场境况,批判战争的惨痛后果,揭示社会矛盾与冲突.战场上的多元音景映照特定时期的社会现实,抗争之音、毁灭之音与沉默之音构建出丰富的听觉印象,使读者产生强烈的情感共鸣.通过听觉印象主义的声音叙事,福特构建了一个多维听觉空间,生动展现出真实的时代环境、社会氛围与人物心理,对战争进行了反思与批判.听觉印象主义与多种叙事手法的紧密结合,使小说形成了独特的非线性叙事结构,为读者提供了深入洞察历史与人性的新视角.这种听觉印象主义书写是文学印象主义、战争书写与现代主义的有机融合,是一种独具特色的文学书写范式.
On the Writing of Auditory Impressionism in Ford's Parade's End
Ford Madox Ford's tetralogy Parade's End focuses on the soundscape of the front lines of World War I,presenting the battlefield conditions through auditory impressionism to criticize the tragic consequences of the war and reveal social contradictions and conflicts.The diverse soundscapes on the battlefield reflect the social realities of the specific period,when sounds of resistance,de-struction,and silence constitute rich auditory impressions that evoke strong emotional resonances in readers.Through the narrative of auditory impressionism,Ford constructs a multi-dimensional auditory space that vividly shows the real historical environment,social atmosphere,and psychological states of characters,and conducts a profound reflection and critique of the war.The close integration of auditory impressionism with various narrative techniques results in a unique non-linear narrative structure,providing the readers with new perspectives for deep insights into the history and human nature.This kind of writing is an organic fusion of literary impressionism,war literature,and modernist literature,representing a distinctive literary writing paradigm with unique characteristics.

Ford Madox FordParade's Endsoundscapeauditory impressionism

万正发、胡强

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湘潭大学 文学与新闻学院,湖南 湘潭 4111051

湖南人文科技学院 外国语学院,湖南 娄底 417000

湘潭大学 外国语学院,湖南 湘潭 411105

福特 《队列之末》 声音景观 听觉印象主义

2024

湘潭大学学报(哲学社会科学版)
湘潭大学

湘潭大学学报(哲学社会科学版)

CSTPCDCSSCICHSSCD北大核心
影响因子:0.589
ISSN:1001-5981
年,卷(期):2024.48(6)