摘要
本研究聚焦中国"卫视主导期"(2004-2007)与"平台主导期"(2018-2021)选秀类综艺节目,通过比较拍摄地点、参赛者籍贯分布及其进入选秀体系的流动模式,讨论传统广电与互联网平台两种技术体系下娱乐生产的空间组织逻辑差异.结果表明,卫视选秀拍摄地点更多元,但参赛者更多来自主流省级卫视辐射区域(如四川、湖南、江苏、浙江、上海等省市),并依托遍及全国的赛区网络进入选秀体系.平台选秀节目的拍摄地点更集中,尽管参赛者的籍贯分布更多元,但由于参赛者须接受娱乐经济公司的筛选与训练,其流动路径大多经过平台资源丰富的核心地带(如北京、上海、广东、浙江等省市),而后进入全国性选秀体系.互联网平台冲击了省级卫视基于行政区划形成的生产空间结构.平台选秀节目不属于任何"地方",在生产环节呈现出更强的空间聚集趋势,但在分发和运营环节展现了更大的空间灵活性.
Abstract
This research focuses on talent shows in Mainland China during the"satellite TV period"(2004-2007)and the"platform period"(2018-2021).By comparing the filming locations,the distribution of contestants'hometowns,and the flow patterns of participants entering the talent show systems,it explores the spatial organizational logic changes in entertainment production between the provincial television stations and Internet platforms.The results indicate that TV talent shows had more diverse filming locations,but most contestants came from areas under the influence of provincial TV stations(such as Sichuan,Hunan,Jiangsu,Zhejiang,Shanghai,etc.),and they entered the talent show system through regional networks spread across the country.In contrast,platform-produced talent shows had more concentrated filming locations.Although contestants'hometowns were more diverse,they had to go through the core areas with abundant platform resources(such as Beijing,Shanghai,Guangdong,Zhejiang)to receive training by entertainment companies,before entering the national talent show system.Internet platforms have disrupted the production spatial structure which provincial TV stations used to operate on.Platform-produced talent shows are not associated with any specific"region"in is production and exhibit a stronger spatial clustering trend.However,they demonstrate greater spatial flexibility in distribution,promotion,and operation.
基金项目
教育部人文社科重点研究基地重大项目(22JJD86002)
复旦大学新闻学院科研创新项目()
NETL
NSTL
万方数据