首页|中国故事的讲法:以《白毛女》为例探析民族歌剧的对外传播效果

中国故事的讲法:以《白毛女》为例探析民族歌剧的对外传播效果

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1945年,《白毛女》脱胎于秧歌剧,在传承古典戏曲的同时吸收了西方戏剧表演理念,以深刻的时代主题和转折起伏的情节吸引观众,将中国歌剧的发展推向高潮.新中国成立后,《白毛女》从国内走向国外,在世界各地演出.本文以歌剧《白毛女》的对外传播现象为研究对象,选取1945年至1955年这一时段,分别梳理歌剧《白毛女》的创作过程和对外传播轨迹.十年间,歌剧《白毛女》的传播对象由国内的域外观察者逐步扩大到世界各国人民群众,从舞台走向银幕,最后,以芭蕾舞剧的形式重新回到舞台.其传播过程是这一时期中国共产党外交政策的反映,也是中国共产党对外传播载体极具观赏性和生命力的补充.
Tell Chinese Stories:the External Communication Effect of National Opera
Based on the transnational communication phenomenon of the opera The White-Haired Girl,this research sorts out the creation process and external communication trajectory of the opera from 1945 to 1955.It finds that the CPC publicized the new image of New China in the form of cultural exchange and mutual learning to gain international recognition.Moving from the stage to the screen,and finally in the form of ballet,the audience of the opera have gradually expanded from domestic to foreign.The spread of the opera is a reflection of the CPC's foreign policy during that period,and also a supplement to the party's foreign communication,which is highly ornamental and vital.

external communicationThe White-Haired GirlCultural exchange

席晓婕、马璋琦

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浙江传媒学院

对外传播 《白毛女》 文化交流 歌剧

2024

新闻知识
陕西日报社 陕西省新闻研究所 陕西省新闻工作者协会

新闻知识

影响因子:0.392
ISSN:1003-3629
年,卷(期):2024.481(7)