论扎念曲目的创作及其在高校人才培养中的应用
On the Composition of Dra-nyen Music and Its Application in Talent Cultivation of Higher Education
洛金宝1
作者信息
- 1. 西藏大学艺术学院 西藏 拉萨 850000
- 折叠
摘要
在高等艺术院校设置扎念演奏专业或开设扎念演奏课程,除了需要有合格的师资队伍,还须具备教材和教参两个关键要素.因此,在搜集和整理传统扎念曲目基础上,创作练习曲、独奏曲等在内的,可在高校人才培养中广泛应用的各类扎念曲目迫在眉睫.文章探析扎念演奏相关的练习曲、独奏曲、重奏曲等的创作思路和演奏可行性,并分析如何将其转化为可传授的新的知识体系和技能系统,进而应用于高校扎念演奏专业本科生和扎念艺术方向研究生培养中.
Abstract
To introduce Dra-nyen(sgra-snyan,a traditional Tibetan musical instrument)performance as a major or as a course into higher art institutions,in addition to qualified teachers,we also need two other key elements:textbooks and teaching references.Therefore,based on the collection and collation of traditional Dra-nyen reper-toire,we need to compose various pieces of Dra-nyen music,including etudes and solos,which can be widely used in talent cultivation in higher education.The paper explores the creative ideas and performance feasibility of the etudes,solos,and ensembles related to Dra-nyen playing,and analyzes how to transform them into a new teachable knowledge system and skill system,which can then be applied to the cultivation of undergraduates ma-joring in Dra-nyen performance and graduates studying on Dra-nyen art in colleges and universities.
关键词
藏族/传统乐器/扎念/高校教学/曲目创作/演奏Key words
Tibetan/traditional tnstrument/Dra-nyen/college teaching/music composition/performance引用本文复制引用
出版年
2024
NETL
NSTL
维普
万方数据