敦煌藏经洞绢画Stein painting35.Ch.lvi.0034考
A Study on Stein Painting 35.Ch.lvi0034 from Dunhuang Library Cave
赛本加 1于春1
作者信息
- 1. 西北大学文化遗产学院 陕西西安 710119
- 折叠
摘要
敦煌藏经洞出土的绢画Stein painting35.Ch.lvi.0034是一幅观无量寿净土经变图.绢画主尊两侧的胁侍菩萨是莲花手和金刚手菩萨,尊格与风格和其他同时期观经变图像中的胁侍菩萨不同,这种组合应该受到了吐蕃时期流行的大日如来与莲花手、金刚手菩萨图像的影响,与吐蕃时期密教题材绢画中的菩萨形象接近.绢画的右上角绘制的"未生怨"故事中的人物形象着吐蕃装,对比其他吐蕃统治敦煌时期的绢画,推测该绢画时代为吐蕃赞普墀祖德赞执政期间(815-841),应为类似"白央"一样精通吐蕃和唐两种佛教艺术风格的画僧所绘.
Abstract
The Stein painting 35.Ch.lvi.0034 from Dunhuang Library Cave is a sutra illustration of Amitāyurdhyāna-sūtra.The two Attendant Bodhisattvas on either side of the main figure in the silk painting are Avalokiteśvara and Vajrapāṇi,and their iconography and stylistic features are different from the other Attendant Bodhisattvas on Amitāyurdhyāna-sūtra in the same period.This unique combination suggests an influence by the popular images of Vairochana,Avalokiteśvara and vajrapāṇi in Tubo dynasty,and which is close to the images of Bodhisattvas in the silk paintings from Mantra at same time.In the upper right corner of the silk painting,the fig-ures in the story of Ajātaśatru reflects distinct Tubo attire.By comparing this silk painting with others during the Tubo reign in Dunhuang,it is speculated that it likely dates back to the reign of Khri gtsug lde btsan(815-841),and drew by a monk like Dbal dbyangwho was skilled in both Tubo and Tang Buddhist artistic styles.
关键词
吐蕃/观经变/菩萨/大日如来Key words
Tubo/Amitāyurdhyāna-sūtra/Bodhisattva/Vairochana引用本文复制引用
基金项目
国家社会科学基金一般项目(22BZJ032)
出版年
2024
NETL
NSTL
万方数据