延安时期木刻版画的群众性实践研究
A Study on the Mass Practice of Woodcut in Yan'an Period
郭丽娟1
作者信息
- 1. 延安大学 鲁迅艺术学院,陕西 延安 716000
- 折叠
摘要
延安时期是中国共产党运用马克思主义文艺思想指导文艺实践的关键时期,也是推动马克思主义文艺思想中国化的重要时期,实现了文艺事业党性与人民性的统一.延安时期木刻版画遵循"革命化、民族化、群众化"的基本原则,创作源泉来自人民群众生产生活实践,始终以人民群众为创作主题,以人民群众的审美为出发点,以服务群众、贴近群众为宗旨,成为边区群众喜闻乐见的一种艺术表现形式,是这一时期文艺体现群众性探索与实践的典型.
Abstract
The Yan'an Period is a critical period for the Communist Party of China to apply Marxist literary and ar-tistic thought in guiding literary and artistic practices,and also a significant period for advancing the Chinese locali-zation of Marxist literary and artistic thought,thereby achieving the harmonious integration of the Party ideology and the aspiration of the people in literary and artistic undertakings.During the Yan'an period,woodcut adhered to the fundamental principle of"revolutionization,nationalization and massification".Its creative inspiration stemmed from the productive and everyday life practices of the people,consistently emphasizing the portrayal of the people as its central theme and catering to their aesthetic preferences.Woodcut emerged as a favored artistic medium among the people in the frontier regions,epitomizing the period's literature and art that reflected the vanguard exploration and practical application of mass-oriented approaches,with the tenet of serving the people and being close to the peo-ple.
关键词
延安时期/木刻版画/群众性实践Key words
Yan'an period/woodcut/mass practice引用本文复制引用
基金项目
延安市社会科学专项资金规划项目(203020280)
出版年
2024
NETL
NSTL
万方数据