连贯空间·图像纪实·政治认同——延安时期摄影展览的效果及传播功能考察
Coherent Space-Image Documentary-Political Identity—An Examination of the Effects and Communication Functions of Photographic Exhibitions in the Yan'an Period
李萍 1周洁2
作者信息
- 1. 延安大学 文学与新闻传播学院,陕西 延安 716000;陕西师范大学 文学院,陕西 西安 710000
- 2. 延安大学 文学与新闻传播学院,陕西 延安 716000
- 折叠
摘要
延安时期摄影展览作为一种迥异于传统书画展览的新兴视觉表现形式,在中国共产党的宣传工作中发挥着关键作用.组织者在筹办摄影展览的过程中,应用了空间-内容连贯性设置、正反典型对比等多元化的布展策略,这不仅在情感上为边区民众进行赋能,也作用于边区民众的实践行为.更为重要的是,出于战时语境和政治叙事的需要,摄影展览逐渐让渡为一种视觉装置,对中共的话语政策和无产阶级的意识形态进行具象化生产与阐释,进而形塑了边区民众的政治认同.
Abstract
During the Yan'an period,photography exhibition,as an emerging form of visual expression quite differ-ent from traditional painting and calligraphy exhibition,played a key role in the propaganda work of the Communist Party of China(CPC).In the process of organizing the photography exhibition,the organizers applied diversified exhibition strategies,such as spatial-content coherence,positive and negative typical contrasts,which not only e-motionally empowered the people in the border areas,but also acted on the practical behavior of the people in the border areas.More importantly,out of the wartime context and the need for political narratives,the photography ex-hibition gradually gave way to a visual device that produced and interpreted the discursive policies of the CPC and the ideology of the proletariat,and then shaped the political identity of the people in the border areas.
关键词
延安时期/摄影展览/空间连贯性/宣传典型性/政治认同Key words
Yan'an period/photographic exhibition/spatial coherence/propaganda typicality/political identity引用本文复制引用
出版年
2024
NETL
NSTL
万方数据