In the 1940s,revolutionaries fighting in the base areas of northern Jiangsu carried out revolutionary transformation of local Huai opera in response to the theme of resistance against Japan and national salvation.The renovated Huai Opera has bro-ken through the traditional barriers of artistic expression,responding to and achieving a paradigm shift of"old bottles filled with new wine,not only the wine is not bad,but even the bottles become new"in the expression and expression of the play's purpose.The logic behind the Communist Party's transformation of Huai Opera is not singular and linear,but rather contains a complex structure.Among them,the two plays with significant node,Zhao Jian Bu Wu and Yu Bin He Bian,as typical plays,connect the historical production logic behind the transformation of the Communist Party of China's Huai Opera,and demonstrate the opera-tional energy and limitations of the new Huai Opera in political education and public mobilization.
关键词
新淮戏/苏北抗日根据地/根据地戏剧运动/旧瓶装新酒
Key words
Xinhuai Opera/anti-Japanese base areas in northern Jiangsu/dramatic movements in the base areas/old bottled new wine
万方数据