乐府新声2024,Vol.165Issue(3) :30-37.DOI:10.20093/j.cnki.CN21-1080/J.2024.03.04

"心中的极致"——由陈其钢《五行》谈个性风格在创作中的体现

The Ultimate in the Heart:on the Embodiment of Personality Style in Creation from the Wuxing(Five Elements)By Chen Qigang

陈思
乐府新声2024,Vol.165Issue(3) :30-37.DOI:10.20093/j.cnki.CN21-1080/J.2024.03.04

"心中的极致"——由陈其钢《五行》谈个性风格在创作中的体现

The Ultimate in the Heart:on the Embodiment of Personality Style in Creation from the Wuxing(Five Elements)By Chen Qigang

陈思1
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作者信息

  • 1. 沈阳音乐学院作曲系
  • 折叠

摘要

管弦乐《五行》(1998-1999)是作曲家陈其钢在压抑之下创作的一部希望之作.作品专注于对意象的描述,追求技术层面的极致表达.本文通过技术分析与作曲家的创作观念、技术语汇偏好、个性风格的关联性思考,以及不同作品之间的对照观察,尝试提炼这部经典作品中所蕴含的能够体现作曲家个性风格的技术语汇.

Abstract

Chen Qigang,composer of orchestral music The Five Elements(1998-1999),is a work of hope produced under depression.His works focus on the description of images and pursue the ultimate expression of technology.This paper tries to extract the technical vocabulary contained in this classic work which can reflect the composer's personal style through the technical analysis and the correlation between the composer's creative concept,technical vocabulary preference and personality style,as well as the comparative observation between different works.

关键词

陈其钢/《五行》/创作观念/个性风格/意象

Key words

Chen Qigang/The Five Elements/Creative Concept/Personality Style/Imago

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出版年

2024
乐府新声
沈阳音乐学院

乐府新声

CHSSCD
影响因子:0.309
ISSN:1001-5736
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