云冈研究2022,Vol.2Issue(1) :21-30.DOI:10.19970/j.cnki.ISSN2096-9708.2022.01.004

云冈石窟造像题记书法艺术风格及价值

Calligraphic Style and Value of Inscription of Yungang Grottoes

吴利国 杨州
云冈研究2022,Vol.2Issue(1) :21-30.DOI:10.19970/j.cnki.ISSN2096-9708.2022.01.004

云冈石窟造像题记书法艺术风格及价值

Calligraphic Style and Value of Inscription of Yungang Grottoes

吴利国 1杨州1
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作者信息

  • 1. 山西大同大学美术学院,山西大同 037009
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摘要

云冈造像题记书写时间涵盖了北魏平城时期、洛阳时期及东西魏时期,书写以浑朴劲健、雄强厚重为主要风貌,具有典型的平城魏碑书风特征,为平城魏碑的重要组成部分.云冈造像题记多存有隶书笔意,结体以"平画宽结"为主要特征,笔画圆厚平实,古拙质朴,具有独特的艺术风格,可视为"圆笔魏碑"的代表,与"方笔魏碑"的代表龙门题记一同,构成了魏碑书法的"圆笔"与"方笔"体系.

Abstract

The writing time of Yungang statue inscriptions covers the Pingcheng period of the Northern Wei dynasty,Luoyang period and the Eastern and Western Wei dynasty.The writing is simple,vigorous,strong and thick.It has the typical characteristics of Pingcheng Wei stele calligraphic style and is an important part of Pingcheng Wei stele calligraphy.The inscriptions ofYungang statues mostly have the image of official script,an ancient style of calligraphy in the Han dynasty.The strokes are round,thick and plain,primitive and simple,and have a unique artistic style,which can be regarded as the representative of"round stroke Wei stele calligraphy".Together with the Longmen inscriptions,the representative of"square stroke Wei stele calligraphy",it forms the"round stroke"and"square stroke"system of Wei stele calligraphy.

关键词

北魏平城时代中期/平城墓葬/晋制/佛教

Key words

Yungang Grottoes/statue inscription/calligraphic style

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基金项目

山西大同大学2020年云冈学研究专项课题(2020YGZX087)

出版年

2022
云冈研究
山西大同大学

云冈研究

ISSN:2096-9708
参考文献量10
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