云冈研究2022,Vol.2Issue(2) :41-49.DOI:10.19970/j.cnki.ISSN2096-9708.2022.02.005

云冈石窟第6窟美术装饰与故事雕刻

Art Decoration and Story Sculpture in Cave 6 of Yungang Grottoes

付蓉
云冈研究2022,Vol.2Issue(2) :41-49.DOI:10.19970/j.cnki.ISSN2096-9708.2022.02.005

云冈石窟第6窟美术装饰与故事雕刻

Art Decoration and Story Sculpture in Cave 6 of Yungang Grottoes

付蓉1
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作者信息

  • 1. 山西大同大学美术学院,山西大同 037009
  • 折叠

摘要

孝文帝时期是北魏平城时代国家实力、文化繁荣和石窟艺术的高峰,孝文帝迁洛前完工的第6窟,气势恢宏、富丽堂皇、庄严壮丽和精湛至美,成为佛教石窟艺术巅峰中的巅峰.尤其是现存的37幅佛传连环故事雕刻史诗般的展现,与忍冬纹带宏大、完整、精湛的画轴式横向展开,又成为第6窟艺术雕刻的珍品和艺术审美的胜景.

Abstract

The Era of Emperor Xiaowen was the peak of national strength,cultural prosperity and grotto art in the Pingcheng period of the Northern Wei dynasty.The Yungang Grottoes have had a very profound artistic accumulation,construction experience and skill foundation so far.The completion of Cave 6 was completed on the eve of Emperor Xiaowen's relocation to Luoyang in par-ticular,and its epic display of the existing 37 Buddhist serial story carvings and their grand,complete and exquisite scrolls of honey-suckle patterns have become treasures of art carvings and the scenic beauty of artistic aesthetics.

关键词

美术装饰/忍冬纹带/故事雕刻/艺术审美

Key words

art decoration/honeysuckle strips/story carving/artistic aesthetics

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基金项目

山西省哲学社会科学规划课题(2019B047)

出版年

2022
云冈研究
山西大同大学

云冈研究

ISSN:2096-9708
参考文献量8
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