云冈研究2022,Vol.2Issue(3) :19-27.DOI:10.19970/j.cnki.ISSN 2096-9708.2022.03.003

云冈石窟伎乐天舞蹈形象刍议

A Tentative Discussion of Dancing Statues of Celestial Musicians in Yungang Grottoes

李莉
云冈研究2022,Vol.2Issue(3) :19-27.DOI:10.19970/j.cnki.ISSN 2096-9708.2022.03.003

云冈石窟伎乐天舞蹈形象刍议

A Tentative Discussion of Dancing Statues of Celestial Musicians in Yungang Grottoes

李莉1
扫码查看

作者信息

  • 1. 山西大同大学音乐学院,山西大同 037009
  • 折叠

摘要

云冈石窟伎乐天舞蹈形象,深受北方鲜卑少数民族、西域和印度舞蹈风格和美学思想的影响.艺术家们在雕凿云冈石窟时,把鲜卑游牧民族文化、西域文化、印度文化和中原文化巧妙地结合在一起,创造了丰满多姿的舞蹈伎乐天,留给北魏舞蹈艺术研究者极其丰富的直观形象和再现表演的空间.

Abstract

The dancing statues of celestial musicians in Yungang Grottoes were deeply influenced by dance style and esthetic thoughts of the Xianbei ethnic group in the north,the Western Regions,and ancient India.When Yungang Grottoes were created by the ancient Chinese artisans,they were also a combination of the northern nomadic culture,Chinese Western Region culture,Indian culture and central plain culture(Han Chinese culture)with ingenuity,while creating various styles of celestial musicians and provid-ing rich and vivid image and art recreation space for contemporary dance art researchers.

关键词

云冈石窟/伎乐天/舞蹈形象

Key words

Yungang Grottoes/celestial musicians/dancing images

引用本文复制引用

基金项目

国家艺术基金青年艺术创作人才资助项目(2015-03-61)

出版年

2022
云冈研究
山西大同大学

云冈研究

ISSN:2096-9708
参考文献量12
段落导航相关论文