云冈研究2022，Vol.2Issue(3) ：36-38,46.DOI:10.19970/j.cnki.ISSN 2096-9708.2022.03.005

北齐释迦七尊背屏式造像探略

An Exploration of the Seven Back-Screen Statues of Sakyamuni in Northern Qi Dynasty

张洁
云冈研究2022，Vol.2Issue(3) ：36-38,46.DOI:10.19970/j.cnki.ISSN 2096-9708.2022.03.005
✕
  • 万方数据

北齐释迦七尊背屏式造像探略

An Exploration of the Seven Back-Screen Statues of Sakyamuni in Northern Qi Dynasty

张洁1
扫码查看

作者信息

  • 1. 云冈研究院,山西 大同 037007
  • 折叠

摘要

1954年8月,山西省文物管理委员会在晋源城西北发现两处石刻埋藏,其中一处埋藏坑出土的北齐七尊背屏式造像保存较为完整,此铺造像贴金彩绘,雕刻工艺精湛,时代特征明显,宗教气息浓郁,代表了太原地区北齐的佛像风格和制作技术.

Abstract

In August 1954,two burials of stone carvings were found by Shanxi Provincial Cultural Relics Management Com-mittee in the northwest of Jinyuan city.The seven back-screen statues of the Northern Qi dynasty unearthed in one of the burial pits were relatively well preserved.The characteristics of the time were obvious and the religious atmosphere was intense,representing the style and production technology of Buddha statues in the Northern Qi dynasty in Taiyuan.

关键词

北齐佛教/释迦七尊背屏式造像/佛教艺术

Key words

Buddhism in the Northern Qi dynasty/the Seven Back-Screen Statues of Sakyamuni/Buddhist art

引用本文复制引用

出版年

2022
云冈研究
山西大同大学

云冈研究

ISSN：2096-9708
参考文献量7
段落导航相关论文