云冈研究2022,Vol.2Issue(4) :18-28.DOI:10.19970/j.cnki.ISSN 2096-9708.2022.04.003

云冈石窟中期洞窟雕刻艺术溯源——以第1、2窟为例

The Origin of the Cave Sculpture Art in the Mid-period Yungang Grottoes—Taking Cave 1 and 2 as an Example

靳玮
云冈研究2022,Vol.2Issue(4) :18-28.DOI:10.19970/j.cnki.ISSN 2096-9708.2022.04.003

云冈石窟中期洞窟雕刻艺术溯源——以第1、2窟为例

The Origin of the Cave Sculpture Art in the Mid-period Yungang Grottoes—Taking Cave 1 and 2 as an Example

靳玮1
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作者信息

  • 1. 大同市旅游协会,山西 大同 037004
  • 折叠

摘要

云冈石窟第1、2窟是云冈石窟中期的一组代表洞窟,其窟室、佛塔、造像及服饰等内容,受到龟兹、凉州及南朝佛教造像艺术风格的直接影响,表现出中国早期佛教造像艺术复刻时代的特征.通过对云冈石窟造像艺术的溯源,可以为探寻南北朝时期不同地域、民族间的文化交流提供新的视角和实证.

Abstract

The carving art of the caves in the mid-period Yungang Grottoes shows the characteristics of the era of reproduction of early Chinese Buddhist statue art.Taking Cave 1 and Cave 2 of Yungang Grottoes as an example,this paper starts from the caves,pagodas,statues,costumes and so on so as to find the connection between the carving elements of Yungang Grottoes and the artistic styles of Qiuci,Liangzhou and the Southern dynasties and explore the exchange,collision and integration of different ethnic groups and cultures in Pingcheng.

关键词

云冈石窟中期洞窟/龟兹/凉州/佛教造像艺术

Key words

mid-period Yungang Grottoes/Kucha/Liangzhou/Buddhism statuary art

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基金项目

国家社会科学基金特别委托项目(21@ZH029)

出版年

2022
云冈研究
山西大同大学

云冈研究

ISSN:2096-9708
参考文献量12
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